Conversations

Explorations of invention. How experience, perception, and insight become the thing we call art.

Danielle Mckinney, Table for Two (detail), featured in AGNI 103

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The Power in Naming and Not Naming: Three Questions with Isaac Yuen

Blog post by agnimag

The piece actually began as an attempt at organization. I had been perusing scientific journals for other works and came across so many interesting extracts I couldn’t help but bookmark for exploring at a later date. At around the same time I finished David Naimon’s “Heathen” . . .

The Aural Heft of Words & “Ovid in America”: A Conversation with Averill Curdy

Conversation by Jacqueline Kolosov

I grew up with a lot of poetry in the house, as my dad was a big reader of Jarrell, Roethke, and Hugo. (And I still have my Golden Treasury of Poetry from the early Seventies . . .

No Language Feels Small When You’re in It: A Conversation with Poet-Translators David Keplinger and Patrick Phillips

Conversation by Nicky Beer

I came to translation by chance. I don’t speak Danish. That I am now referred to as a Danish translator still comes as a shock. I first encountered Nielsen’s work in Copenhagen . . .

“Poetry steals me out”: Three Questions with Kennedy Amenya Gisege

Blog post by agnimag

Prison has many deprivations. As an inmate, I’m constantly fighting to use the phone, the microwave, showers, and exercise equipment. Even running on the track involves jostling about for space. When I don’t succeed, I don’t get to eat, call my family and friends, or exercise at all. As such times the call of freedom and free will are strongest within me and the pain wrought by this second exile biggest.

Blog

For AGNI’s 50th: A Virtual Conversation Series

In 2022, AGNI and Brookline Booksmith celebrated AGNI’s 50th anniversary with a series of six intimate virtual conversations. Each paired one of the journal’s editors with a contributor whose work defines, for them, the ever-evolving AGNI aesthetic.

The poems are more like a traveling puppet show or a photo album of a twin who died when I lived. To me, the poems bear a certain physicality. A burnt edge. An overstuffed arm. A juice-stained lip. I struggle to view them as pieces of literature to be put under glass, although I am certain that they are.

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