Conversations
Danielle Mckinney, Table for Two (detail), featured in AGNI 103
Featured
The Power in Naming and Not Naming: Three Questions with Isaac Yuen
The piece actually began as an attempt at organization. I had been perusing scientific journals for other works and came across so many interesting extracts I couldn’t help but bookmark for exploring at a later date. At around the same time I finished David Naimon’s “Heathen” . . .
The Aural Heft of Words & “Ovid in America”: A Conversation with Averill Curdy
I grew up with a lot of poetry in the house, as my dad was a big reader of Jarrell, Roethke, and Hugo. (And I still have my Golden Treasury of Poetry from the early Seventies . . .
No Language Feels Small When You’re in It: A Conversation with Poet-Translators David Keplinger and Patrick Phillips
I came to translation by chance. I don’t speak Danish. That I am now referred to as a Danish translator still comes as a shock. I first encountered Nielsen’s work in Copenhagen . . .
“Poetry steals me out”: Three Questions with Kennedy Amenya Gisege
Prison has many deprivations. As an inmate, I’m constantly fighting to use the phone, the microwave, showers, and exercise equipment. Even running on the track involves jostling about for space. When I don’t succeed, I don’t get to eat, call my family and friends, or exercise at all. As such times the call of freedom and free will are strongest within me and the pain wrought by this second exile biggest.
For AGNI’s 50th: A Virtual Conversation Series
In 2022, AGNI and Brookline Booksmith celebrated AGNI’s 50th anniversary with a series of six intimate virtual conversations. Each paired one of the journal’s editors with a contributor whose work defines, for them, the ever-evolving AGNI aesthetic.
From the Archive
A Conversation with Lise Haines
Photographs of Thinking: A Conversation with Ken Chen
A Conversation with Saul Bellow
A Conversation with Oksana Zabuzhko
The poems are more like a traveling puppet show or a photo album of a twin who died when I lived. To me, the poems bear a certain physicality. A burnt edge. An overstuffed arm. A juice-stained lip. I struggle to view them as pieces of literature to be put under glass, although I am certain that they are.