Fiction

Character entangled in circumstance. Revelations of language and self under pressure.

Nkechi Ebubedike, Standing Woman II (detail), featured in AGNI 104

Featured

Body Sovereign

Fiction by Verdell Walker

Christmas was coming and Alma really needed some extra shifts. Jordan was pining for an immersion gaming system. Damn thing was $1,500, but he made all A’s and didn’t give her a lick of trouble.

Flower and Pot

Fiction by Wiam El-Tamami and Vidhi Doshi

It came back, the flower in its pot: the plastic flower in its plastic pot: the yellow, straight-stemmed flower in its round red pot. At the base of its stem—green, yes, and unnaturally straight—lay a circle of brown . . .

The Reply

Fiction by Choi Eunyoung • Translated from the Korean by Sung Ryu

I’ve picked up a pen to write to you for the first time in a while.

But now that I have, I’m not sure what to say.

When I was your age, I couldn’t go to bed without writing a page or two . . .

Symmetrix

Fiction by Caren Beilin

There is something about my face. I’m not paranoid. This has been reported. “What? What did I do to you?”

Or “Stop.” I don’t know what look I must make. I search my heart . . .

Wedding

Fiction by Ahmed Awny • Translated from the Arabic by Wiam El-Tamami

I left without saying goodbye to him, my escape quicker and quieter than I’d imagined. And now, as I walk down my street, everything has taken on a peculiar quality: the road narrower than I thought, the stench . . .

Gun Stories

Fiction by Jane Morton

It was getting late and everyone was telling their gun stories. Times they’d had a gun pulled on them, almost been shot, or, for just a couple of people, times they actually had been hit with a bullet . . .

Portfolio

The AGNI Portfolio of African Fiction

A 2010 gathering from below the Sahara.

“What these stories seem to announce is a powerful narrative outlook that has almost nothing to do with the West’s expectation of ‘Africanness.’ Instead, it rises from the coming together of individual voices that happen to be broadly, variously African, writers with a straight-on, self-probing honesty and a poetic sort of thoroughness.”

From the Archive

He set my teeth on edge. He evidently had a bad temper, would raise his voice or give menacing looks in public, and had a terrible gift for sarcasm, which he would use with full commedia dell’arte gestures as if a mechanism connecting his mouth and arms had been engaged.

Back to top