Art takes over. Paintings by Danielle Mckinney set the tone for an issue that puts the thinking self among canvases and books.

REVERB

Notes from the Sphere: A Series

An ongoing series on translation. From editor Issam Zineh:

“AGNI has long held literary translation in high regard as an art form. We respect the power of translators to amplify the cultural and imaginative forces of other times, places, and traditions and, in doing so, reveal the multiplicities within our own. . . . We hope this series will deepen readers’ engagement with translated works. Through that engagement, many worlds are possible.”

It didn’t always land, but we let her tell it as many times as she wanted, every time she got drunk we let her tell us again, we understood she had to get the story out of her system. Like she might get it right eventually and we’d all laugh together and it’d be okay, it’d be over then, finally, it would be over.

Featured

“The Border Moves Through Us”: From Minneapolis, 2026

Reverb by agnimag

To plan a route to pick up my child from school, I check iceout.org for a map of recent ICE sightings. They’ve multiplied in recent days, with the Federal occupation surging to 3,000 agents in Minneapolis, five times the size of the city’s police department. Earlier in the morning, . . .

“If war”

Poetry by Maksym Kryvtsov • Translated from the Ukrainian by Larissa Babij

If war
is a film
it’s not necessarily horror.
In my case

Resisting Perfection

I was born in a small city in Guatemala, whose cobblestone streets and colorful colonial architecture have long housed a healthy community of American ex-pats. Growing up there, Spanish and English came to me like twins: chronologically, one was handed to me before the other . . .

Pleistoscene

Poetry by Laura Sheahen

Begging to differ, we have not

An ounce of poetry, no libraries, no bindings,

No sooth-singers, no melting iambs.

Wedding

Fiction by Ahmed Awny • Translated from the Arabic by Wiam El-Tamami

I left without saying goodbye to him, my escape quicker and quieter than I’d imagined. And now, as I walk down my street, everything has taken on a peculiar quality: the road narrower than I thought, the stench of trash rising and mingling with a trace of ginger, the lights at the corner . . .

Angel with a Flower on Her Chest

Review by Seán Carlson

In late summer 2005, I disembarked in the city of Mostar after a three- or four-hour bus ride from Dubrovnik, the vaunted pearl of the Adriatic in neighboring Croatia. The wars that had dismantled Yugoslavia . . .

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